自由・力量＿24小時Live Painting 24 hours Live Painting
18.《中山橋森林》
Zhongshan Bridge Forest
皮耶．德拉維 Pierre Delavie
關於作品
About this project
沉浸式體驗作品《中山橋森林》以雕塑、光影與音樂共存的裝置形式，融入場域的地形與歷史脈絡。
為了與此地的歷史記憶產生共鳴，藝術家在橋上設置了一片由支柱構成的「森林」，象徵支撐這座屢遭威脅的建築。這些柱狀雕塑看似歷經歲月洗禮，表面斑駁磨損，脆弱不堪。
在柱子的頂部，內嵌的喇叭循環播放著緩慢旋律，引領觀眾進入一種刻意營造的奇異、甚至令人不安的感官場景。
在橋的入口處，透明與半透明的塑膠薄片懸掛於空中，隨風輕輕擺動。一道高強度光束穿透其間，投射出不斷變化的光暈，映照在柱子與觀眾之上，強化整體的震動感與戲劇張力。
An immersive experience, the work Zhongshan Bridge Forest draws on the topographical and historical context of the site, through a combination of sculpture, light and music.
To resonate with the memory of the place, a ‘forest’ of pillars has been installed to support this structure, which has been threatened many times. These sculptures give the impression that they have stood the test of time; they are chipped and fragile.
At the top of the pillars, built-in loudspeakers play a slow chant on a loop, immersing spectators in a deliberately strange, even unsettling sequence.
At the entrance to the bridge, transparent and translucent plastic sheets are suspended, swaying gently in the wind. A high-intensity light projects a constantly moving halo through them. It is projected towards the columns and the audience, reinforcing the vibratory and dramatic effect.
藝術家來臺指定航空：長榮航空
Artist
皮耶．德拉維
Pierre Delavie法國 / France
皮耶·德拉維(Pierre Delavie)在巴黎生活和工作。他透過城市中的大型裝置藝術，質疑我們對現實的感知。在其新擄奪式建築(Neo Rapt architectural)作品中，他顛覆了大皇宮（Grand Palais）的正面外牆，讓震驚的巴黎人得以從另一種角度觀看。在馬賽，他顛倒了著名的麻田街，在幻象中打破我們的視覺習慣，讓人不禁思索：「我們真的在這裡嗎？」
在他的白晝之夜系列作品中，人們記得塞納河畔的巴黎古監獄（Conciergerie）被顛倒過來，以及凡爾賽宮皇家禮拜堂（Chapelle Royale de Versailles）向整座城市展示其內部結構／拱腹。在以「勒阿弗爾之夏」當代藝術節聞名的諾曼地海港城市勒阿弗爾（Le Havre），他的貨船（諷刺地命名為Down John）炸掉了一個商業碼頭。
在更為私密的創作脈絡中，他的場造作品與裝置，透過他自己的音樂創作進行實驗，成為其作品不可分割的一部分，也是視覺世界與聲音宇宙之間深層的認知聯繫。例如《Austerlitz》展出十位匆忙旅人的聲音肖像，各自擁有獨特旋律。2022 年巴黎白晝之夜期間，年輕的路易十三國王在其他雕塑的注視下，從其在孚日廣場（Place des Vosges）上的雕像逃脫，而周圍的每尊雕塑則各自發出獨特聲響，營造出一種分離的和諧氛圍。
Pierre Delavie lives and works in Paris. He questions our perception of reality through monumental installations in cities. In his architectural Neo Rapt architectural, he destabilised the façade of the Grand Palais, offering stunned parisians a different perspective. In Marseille, he transformed La Canebière, creating a phantasmagoria that broke with our visual habits. Are we really there? Among his Nuit Blanche works, we remember the Conciergerie overturned along the Seine and the Royal Chapel of Versailles, which revealed its interior/intrados to the entire city. In Le Havre, a city renowned for its Eté au Havre contemporary art festival, his cargo ship, ironically named Down John, exploded a commercial terminal.
On a more intimate level, his in situ work and installations experiment with his own musical compositions, which are an integral part of the work, exploring the deep cognitive links that interact between the visual world and the world of sound. Take Austerlitz, which featured ten sound portraits of hurried travellers, each with their own little tune. At Place des Vosges, for the 2022 Nuit Blanche in Paris, the young King Louis XIII escaped from his statue under the gaze of sculptures, each producing a unique sound for a dissociated harmony.
