通道 Passage Souterrain
關於作品
About this project
坑道-A到B，具有指向性。一種潛藏於完整表象下的管狀空間。是空間的裂痕。
逃生-逃離。維持生命。存在。
「走、跑、飛」
我在跑步機上原地踏步、我看見節拍器的擺錘來回擺動、我是人體。
坑道作為空間與象徵，不只是穿越，也是一種轉化：從光亮通向陰影，從控制邁入未知。這是一場關於「成為」的旅程。最後邀請觀眾，在我身上留下我們相互「成為」的記號。
作品靈感源於變裝與童話故事《皮諾丘》，以「身份轉換」嘗試理解何謂「真實」？
讓我們一起進入完整表象之下。或許，那裡才是開始自由想像與飛翔的地方。
Tunnel — from A to B, with directionality. A kind of tubular space hidden beneath a complete appearance. It is a fracture in space.
Escape — fleeing. Sustaining life. Existence.
“Walk, run, fly”
I am stepping in place on the treadmill, I see the metronome’s pendulum swinging back and forth, I am a human body.
The tunnel, as both space and symbol, is not just about passing through but also a kind of transformation: from light into shadow, from control towards the unknown. This is a journey of “becoming.” In the end, I invite the audience to leave on me the marks of our mutual “becoming.”
The work is inspired by cross-dressing and the fairy tale “Pinocchio,” using “identity transformation” to try to understand what is “real.” Let us together go beneath the complete appearance. Perhaps that is where the freedom to imagine and to fly truly begins.
Artist
徐翊傑 /
Hsu Yi-Chieh臺灣 / Taiwan
台北人。以身體為媒介。創作者。人體素描模特兒。活躍於當代舞蹈，跨域合作。於2024年創作《皮諾丘》個人獨舞作品。
A Taipei native, the artist uses the body as a medium. Creator. Figure drawing model. Active in contemporary dance and cross-disciplinary collaborations. Created the solo dance work “Pinocchio” in 2024.
