Understanding the world has become logic. We gradually look at these texts of knowledge with cold detachment—so familiar they become numb common sense.
But, in the moment they verify a centuries-old theory in the lab for the first time, even scientists still cry out in amazement.
It’s like walking down a street and suddenly seeing children lifting a huge black object bigger than they are with their bare hands.
Logic will rush in to explain what you’re seeing, to make sense of it. But you’ll still stop and stare.
“Black Dream” is a product of childhood fantasy, breaking free from logic.
They lie scattered across the earth like relics, yet like toys, they can be assembled.
Children can freely combine and rearrange them, and then look up at them in wonder.
Chiang Chung-Lun focuses on expressing artistic landscapes through everyday life, daily experiences and artistic practice influencing each other. His work reveals the subtle yet powerful force inherent in the ordinary, as opposed to the spectacle.
Lin Chien-Chih primarily uses wood as his medium. His early works explored the connection between formal vocabulary and consumer culture. In recent years, he has turned his focus to the potential of leftover materials from the work process.