被遺忘的盡頭 At the Edge of What We Recall
關於作品
About this project
盡頭，是一首又一首的詩，是轉瞬即逝的舞蹈，是一片一片的記憶。
訊號連接上了，一位電台播報員的出現，在這個夜晚，他隨著音樂讀起詩篇、跳起舞、講述一段段令人既熟悉又陌生的故事。這些聲音穿梭在好似迷宮的隧道，而歷史的回聲中，什麼被聽見？什麼被遺忘？漣漪將又擴向何方？
這個作品以圓山坑道曾為民防廣播電台的基地為靈感發想，把場所作為介質喚起歷史記憶，透過表演者的獨白與觀者的互動創造對話，讓場域再次被看見，也讓身體感受成為再造歷史的地方，並探問「我們該如何記得？」
The end is a series of poems, fleeting dances, it is fragments of memories.
The signal connects, and a radio announcer appears. On this night, he recites poems, dances along with the music, and tells stories that feel both familiar and strange. These voices weave through a maze-like tunnel, and in the echoes of history, what is heard? What is forgotten? Where will the ripples spread to next?
This work is inspired by the fact that the tunnels at Yuanshan once housed a civil defense broadcasting station. It is used as a medium to evoke historical memory, creating a dialogue through the performer’s monologues and interaction with the audience. This allows the space to be seen again and lets the body’s sensations become a site of historical reconstruction, while also asking: “How should we remember?”
Artist
劉俊德 /
Liu Jun-De臺灣 / Taiwan
臺灣⾼雄⼈，現為⾃由接案表演藝術⼯作者。臺北市⽴⼤學舞蹈系畢業，⾼中學習舞臺劇表演。18歲參加兩廳院「ET 搞⾰命」，於實驗劇場發表⼈⽣第⼀部⾃編⾃跳舞作《⾰命》，開啟創作之路。2019年獲雲⾨創計畫獎助，2021⾸次獲國藝會個⼈常態創作贊助。創作善於結合戲劇與舞蹈元素，以通俗連結⼤眾，並觀照當代社會⼈⽂與精神。同時透過多次「⾃編導演跳乃至⾃設計」純⼿⼯經驗，發展個⼈劇場總體美學。此外，也積極與各藝術家、團隊合作擔任表演者等角⾊，横跨多元形式。
A native of Kaohsiung, Taiwan, currently working as a freelance performing arts artist. A graduate of the Department of Dance at Taipei Municipal University, he studied stage acting in high school. At 18, participated in the National Theater and Concert Hall’s “ET Revolution,” where he premiered his “Revolution,” in an experimental theater, marking the start of his creative journey. In 2019, he received funding from the Cloud Gate Art Makers Project, and in 2021, received his first individual ongoing creation grant from the National Culture and Arts Foundation. His work masterfully blends drama and dance to connect with a wide audience, while reflecting on contemporary social humanities and spirit. Through extensive hands-on experience in self-choreographing, directing, dancing, and even designing, he has developed a personal aesthetic for theater as a whole. He also actively collaborate with various artists and teams, performing across diverse forms.
