被遺忘的盡頭 At the Edge of What We Recall
A07.《神化》
Apotheosis
倍帝·愛波 feat.次元家族
Betty Apple feat. Haus of Dimensions
關於作品
About this project
透過儀式引導觀眾專注於五大核心元素，作為人類向神性轉化的媒介。強調我們人類存在與神性宇宙中的諸多悖論。表演將依序經歷水、土、火、風與空，每一個元素皆包含一個與觀眾互動的儀式以及一場變裝表演。在最後一場變裝表演（風）結束後，觀眾將被邀請登上舞台，加入舞會，共同創造「空」的空間，融合四大元素。
Use rituals to encourage audience to focus on five core elements, as a medium for transformation from human to divine. Highlight the many paradoxes in our human existence and divine universe. Performance will go through Water, Earth, Fire, Wind and Space, with each element featuring a ritual interacting with the audience and a drag performance. After the final drag performance (Wind) the audience will be invited onto the stage to join a dance party and create “Space,” combining the four elements.
Artist
倍帝·愛波 / Betty Apple臺灣 / Taiwan
倍帝·愛波（Betty Apple，1986年生於臺灣）是一位於現場藝術、聲音藝術、電子音樂、DJ與新媒體創作的跨媒體藝術家。她以身體政治與表演為核心，融合藝術、影像、直播與電子樂。她的靈感源自後殖民台灣的千禧世代經驗，深受銳舞文化、酷兒理論、後人類及台式地下文化啟發，挪用本地物件與媚俗文化，將工業化情色符號（如跳蛋、內衣、矽膠胸部）融入表演。她以身體與物件的動態結合，創造出混亂且歇斯底里的魔幻寫實文本。近期，她以「人魚」作為表演符號，探索流動性的科技神秘主義。
主要展演包括：「Mermaid Awaking Club」（哥本哈根，2023）、Asia Topa 亞太表演藝術三年展（澳洲，2025）、Wonderfruit音樂節（泰國，2024）、盧森堡藝術週開幕（2023）及日惹雙年展（2019）。她曾參與台北白晝之夜（2020、2022）、台北藝術節（2018、2020、2023），其作品《來自未來的噪訊》曾被法國《解放報》報導。此外，她為JENN LEE時裝週（2023, 2024）及劇場如《默島新樂園》等提供聲音設計。
Betty Apple (b. 1986, Taiwan) is a multidisciplinary artist specializing in performance art, sound art, electronic music, DJing, and new media. Influenced by live sound performance, queer theory, posthumanism, and Taiwanese underground culture, her work explores body politics, societal norms, and human-object dynamics. By incorporating industrially-produced symbols of erotica (such as vibrators, lingerie, and silicone breasts) into her performances, she crafts chaotic “magical realist narratives.”
Her major recent exhibitions include Mermaid Awaking Club (Copenhagen, 2023), the Asia-Pacific Triennial of Performing Arts (Australia, 2025), Wonderfruit Festival (Thailand, 2024), Luxembourg Art Week (2023), and the Jogja Biennale (Indonesia, 2019). Additionally, she has contributed sound design for JENN LEE’s fashion shows (2023, 2024) and theatrical works such as New Paradise of Silent Island.
Artist
次元家族 / The Haus of Dimensions臺灣 / Taiwan
次元家族（The Haus of Dimensions） 是位於台北的實驗性／劇場儀式變裝團體，其創作探索歡愉與奇異交織而成的璀璨空間。他們以變裝為媒介，挑戰跨越身體、社會與靈性的身份界限，打造超越日常的感官體驗。
他們受邀多個重要活動演出，包括：台北 PIPE 《盤絲洞影展與次元家族派對》, CUM Party 的 《Pride Show》《台北國際變裝藝術節》, 泰國的 《Wonderfruit Festival》。
爆米花（Taipei Popcorn）是一位來自紐西並在台北發展的變裝表演藝術家。以其多變的主題聞名，涵蓋抽象、超人類主義和恐怖元素，爆米花的表演旨在娛樂、迷惑並激發觀眾的思考。通過突破傳統變裝表演的界限，他們創造了讓實驗性行為和自我發現空間得以蓬勃發展的機會。
合作和表演： 爆米花的影響力超越了舞台，曾與Netflix、Vogue雜誌、Marie Claire雜誌、Gucci、Tinder和H&M等知名品牌合作。他們充滿活力的表演也曾在越南西貢的Genderfunk、河內的Peach/Savage、香港的Mihn Club、成都的Tag，北京的找待（Zhaodai），泰國Wonderfruit 等地登台亮相。
電影貢獻： 在電影領域，台北爆米花曾出演過多部由台灣著名導演蘇匯宇執導的藝術電影。這些電影包括：《唐朝綺麗男》 《白水》 《未來的衝擊》 《三廳電影》
電影節展示： 這些電影引起了廣泛關注，並在以下著名的節日和場地展出：
紐約的Performa節, 香港的巴塞爾藝術展, 舊金山的Frame Line節 , 鹿特丹電影節 International Film Festival Rotterdam, 台北當代藝術館, 柏林電影節 Berlinale Film Festival. 通過其多樣的作品，台北爆米花不斷挑戰並重新定義變裝、藝術和表演的界限，並在國際舞台上留下深遠的影響。
佛跳薔（Dancing Buddha on the Rose）是一位來自臺灣三峽的變裝藝術家、時尚設計師與生命教練。她的變裝表演深受佛教信仰啟發，常在感官與靈性之間形成強烈對比。她親手打造服裝，運用乳膠、珠繡等大膽材質與工藝，將神秘圖像元素融入前衛剪裁。
她曾在多個大型場地與活動中演出，包括：
虎山 《Resurrected》, 宜蘭傳統藝術中心《亞太藝術節開幕儀式》, 泰國的 《Wonderfruit Festival》, 越南的 《Equation Festival》。
Noise 是一位來自臺灣高雄的變裝藝術家與時尚設計師。她畢業於臺灣頂尖時尚學府—實踐大學，擅長運用非傳統材質，如脫脂棉、束線帶、壓克力顏料與人類毛髮，打造奢華質感的服飾與極具衝擊力的配件。
她的服裝設計與變裝表演深受自然景觀、臺灣民間故事、日本恐怖文化與中世紀奇幻生物的啟發。近期，她在台北歷史悠久的紅樓劇場，參與大型沉浸式舞蹈製作 Lili，飾演「魔后」（Demon Queen）一角。
The Haus of Dimensions is an experimental drag / ritual collective based in Taipei, Taiwan whose work explores the radiant spaces between the joyful and the bizarre. Using drag as a medium to explore and cast off our physical, social, and spiritual identities, the Haus of Dimensions create transcendent and transformative collective experiences.
They have performed at events including Cave of the Silken Web at Pipe Taipei, CUM Party’s Pride Show, Taipei International Drag Fest, and Wonderfruit Festival in Thailand.
The collective consists of three members:
Taipei Popcorn is a Taipei-based drag performer who hails from Aotearoa (New Zealand). Employing diverse themes including abstraction, transhumanism and horror, Popcorn aims to entertain, confuse and provoke their audience, pushing boundaries to create space for all kinds of experimental behaviour and self-discovery to flourish. Popcorn has collaborated with Netflix, Vogue Magazine, Marie Claire Magazine, Gucci, Tinder, and H&M, while also performing with Genderfunk in Saigon (VN), Peach/Savage in Hanoi (VN), Mihn Club in Hong Kong (HK SAR), Tag in Chengdu and Zhaodai in Beijing (PRC). They have also starred in several art films by renowned Taiwanese director Su Huiyu, including Glamorous Boys of Tang, White Waters, Future Shock and Trio Hall. These films have been featured in New York’s Performa Festival, Art Basel Hong Kong, San Francisco’s Frame Line Festival, Rotterdam Film Festival, Taipei Museum of Contemporary Art and Berlinale Film Festival.
Dancing Buddha on the Rose (佛跳薔) is a drag performer, fashion designer and life coach from Sanxia, Taiwan. Her drag performances are inspired by her Buddhist faith, often contrasting the visceral with the spiritual. She creates her own costumes in bold materials and finishes like latex and beading, blending esoteric iconography with avante garde silhouettes. She has performed at large scale locations and events, including Resurrected at Tiger Mountain, Yilan Traditional Arts Center and Equation Festival in Vietnam.
Noise is a drag performer and fashion designer from Kaohsiung, Taiwan. A recent graduate from Taiwan’s top fashion school Shih Chien University, she creates lavishly textured garments and striking accessories, using unusual materials such as cotton wool, zip ties, acrylic paint and human hair. Her costumes and drag performances take inspiration from nature, Taiwanese folk tales, Japanese horror, and medieval creatures. She recently played the role of the Demon Queen in Lili, a large scale immersive dance production held in Taipei’s historic Red House theater.
