The sparrow-shaped traffic light, public yet informal, reflects the order and chaos of the urban margins. The image of the sparrow’s temporary perch mirrors the sense of alienation that comes with being in a foreign place. The work transforms the symbol of traffic into a metaphor for temporality, marginality, and the state of existence.
The work employs interactive installations and collages of video pieces to explore the interplay between the viewer’s mediated body and physical body within the artwork, extending this relationship into a new perceptual experience. It examines the tension between the body and the medium that arises in the act of viewing images.